Maybe the executives at Def Jam have forgotten that Nas is subsidizing Kelis‘ career missteps these days.

Last month, Nas told his twitter constituents that a follow-up to his groundbreaking album The Lost Tapes would be out before the end of the year. Judging from the email he wrote to Def Jam executives recently, which mysteriously made it’s way to the media yesterday, he is determined to make that happen.

From: Nas
To: LA Reid, Steve Bartels, Steve Gawley, Michael Seltzer, Joseph Borrino, Chris Hicks
Subject: PUT MY SH*T OUT!

Peace to all,

With all do respect to you all, Nas is NOBODY’s slave. This is not the 1800′s, respect me and I will respect you.

I won’t even tap dance around in an email, I will get right into it. People connect to the Artist @ the end of the day, they don’t connect with the executives. Honestly, nobody even cares what label puts out a great record, they care about who recorded it. Yet time and time again its the executives who always stand in the way of a creative artist’s dream and aspirations. You don’t help draw the truth from my deepest and most inner soul, you don’t even do a great job @ selling it. The #1 problem with DEF JAM is pretty simple and obvious, the executives think they are the stars. You aren’t…. not even close. As a matter of fact, you wish you were, but it didn’t work out so you took a desk job. To the consumer, I COME FIRST. Stop trying to deprive them! I have a fan base that dies for my music and a RAP label that doesn’t understand RAP. Pretty fawked up situation

This isn’t the 90′s though. Beefing with record labels is so 15 years ago. @ this point I just need you all to be very clear where I stand and how I feel about “my label.” I could go on twitter or hot 97 tomorrow and get 100,000 protesters @ your building but I choose to walk my own path my own way because since day one I have been my own man. I did business with Tommy Mottola and Donnie Einer, two of the most psycho dudes this business ever created. I worked well with them for one major reason……. they believed in me. The didn’t give a fawk about what any radio station or magazine said….those dudes had me.

Lost Tapes is a movement and a very important set up piece for my career as it stands. I started this over 5 years ago @ Columbia and nobody knew what it was or what it did but the label put it out as an LP and the fans went crazy for it and I single handlely built a new brand of rap albums. It’s smart and after 5 years it’s still a head of the game. This feels great and you not feeling what I’m feeling is disturbing. Don’t get in the way of my creativity. We are aligned with the stars here, this is a movement. There is a thing called KARMA that comes to haunt you when you tamper with the aligning stars. WE ARE GIVING THE PEOPLE EXACTLY WHAT THEY WANT. Stop throwing dog ISHT on a MAGICAL moment.

You don’t get another Nas recording that doesn’t count against my deal….PERIOD! Keep your bullshPt $200,000.00 fund. Open the REAL budget. This is a New York pioneers ALBUM, there ain’t many of us. I am ready to drop in the 4th quarter. You don’t even have sh*t coming out! Stop being your own worst enemy. Let’s get money!

-N.Jones

We’re not sure what kind of outcome this will ultimately have on Nas’ career, but we applaud him for two reasons. Number one, he’s taking these labels to task for things that a lot of fans and artists gripe about constantly. And he went directly to the source.

Secondly, we applaud Nas because the man just wants to work! He did just spend the whole summer touring the world with Damian Marley in support of their Distant Relatives project. Regardless of how much he actually is paying the baby mamas these days, we’re sure Nas isn’t really hurting for cash so much that he couldn’t take a break.

What do you think? Did he take it too far?

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