Solange Knowles is known for her many funky get ups, so we’re not surprised that she was recently interviewed about her unique steez. Pop the hood for the questions and her thoughts
Who are your style heroes?
“My mom in the ’70s and ’80s! She was a bad b*tch. Sex and the City totally jacked her steez on the camels. I have a pic of her on a camel ride in Egypt in the ’80s serving the hell out of that desert! Also, Diana Ross, The Fela Kuti Queens, Björk, ’70s-era Chaka Khan, Chloë Sevigny, ’90s Erykah Badu.”
What’s your secret style weapon?
“Shoes! I’m all about the shoes! I order a ton of them online and play with my entire wardrobe until I find the right shoe. Unfortunately, so many people get it right from the head until the ankles. The shoe is very important. I can’t even fu*k with you if your shoe game is slacking.”
Tell us a little bit about working on the new album
“I went up to Santa Barbara, found this house on five acres in the mountains and invited a bunch of amazing musicians to come live there with me for a month and just experiment. We woke up around 10 a.m. and made music until midnight, all of course while drinking good wine, picking avocados from the trees outside to make guacamole, and maybe enjoying a joint or two. I left the process a little crazy, but I really feel like I came into my own.”
Musically, how is it going to be different from your previous records?
“’80s jams for sure! Early Chaka Khan, ’80s Janet Jackson, S.O.S. Band, Prince, and of course the great Michael Jackson! We went extremely natural and raw when it came down to the production. Blowing into beer bottles, playing flower vases, tapping on chairs with pencils, and even recording a house party we had for Memorial Day as a sample. My previous record was extremely inspired by ’60s Motown, and was very conceptual and polished. With this record, it was completely opposite. We kind of partied our way through an album. It was all about letting loose, and the boogie was very important.”
You’re friends with lots of Brooklyn bands—Grizzly Bear, Dirty Projectors—how do you see those bands inspiring R&B and Hip Hop?
“Well, to be honest, I think we inspire each other. Want to know who re-introduced me to “My Boo”? Edward Droste [of Grizzly Bear]. Who played TLC’s “Creep” when I totally forgot what a jammer it was? Caroline Polachek [of Chairlift]. MGMT played Bone Thugs in Harmony’s “Creepin On Ah Come Up” backstage after one of their shows and I had total junior high flashbacks. I think so many hip-hop artists are now jumping on this weird electro bandwagon thinking it will broaden their audience instead of doing what made them them in the first place. There’s definitely a group of folks in hip-hop like Kanye, Q-Tip, and ?uestlove who know how to appreciate an album like Bitte Orca and see the beauty in it. As for R&B, I’m so bored with it. After being an R&B junkie for years, I actually turned to a lot of indie music because I was just so uninterested. I grew up loving Missy Elliott, Destiny’s Child, SWV, Aaliyah, Carl Thomas, Melody… nowadays that substance and style are kind of dead with the exception of a few.
What inspired the bold new ‘do? You mentioned you can no longer hide with that hair, has it changed the way you see yourself?
“When I was recording, I was staying in a house with five guys and two showers. I knew there would be a shower wait everyday and with my natural cropped hair, it’s mandatory that I wash it otherwise it gets stuck to my head like glue! I wanted to get something that I could literally roll out of bed without looking nuts. I watched so many Chaka Khan YouTube videos and became sort of obsessed with her during the process. I went to my stylist and said ‘Give me the fro.’ I walk differently now, sing differently; This hair has spirit and soul.”
You’ve got such unique style, would you ever consider being involved in the family fashion business, Dereon?
“Why thank you very much! It’s funny you ask because I initially was involved as the spokesperson, but the clothes just didn’t reflect my personal style and I decided to hand that over. That’s the great thing about my family. We work together so closely that if something’s not working out, we can be honest about it and there won’t be any grudges or issues. I wrote a couple of songs on my sister’s last album and if there’s a line she doesn’t like, she changes it and we keep on moving. I will say though, they did just do a bedding line that I am extremely in love with and I was like, ‘Can I model that… in my house?'”
You mentioned being inspired by Janet Jackson’s “Pleasure Principle” video. Janet was a famous younger sister who really carved out her own identity and sound. Do you ever feel you have to work harder to differentiate yourself from your older sis?
“If anything, I feel like if I didn’t have a sister who was a huge star, no one would think twice about how I look, because they would have no one to compare it to. I would just be another gal who wears loads of vintage or counts Grace Jones as inspiration. But because I’m Beyoncé’s sister, I’m an easy target to say, ‘There’s no way those two had the same parents, and have one be naturally this way…this has to be a ploy for her to appear cool!’ It makes me want to pull out pictures of five-year-old me next to nine-year-old her wearing a tutu over polka dot stockings and an old scarf over my head. It would be so much easier for me to put on a little black dress, straighten my hair, and sing about dancing in the club, but it’s not my job to prove anything. I’m here to make music, to inspire myself. I’m not selling my likability, I’m sharing my journeys. If you don’t like it, believe it’s real, or understand it…then keep my name out of your mouth.”
Dang, did Solo just diss her sister with that sing about dancing in the club business???
Do you like Solange’s weirdo steez or are you one of those folks she thinks should just ‘keep her name out yo mouf’?