50 Cent Confirms Diddy Doc, Pledges Profits To Rape Victims
Bigger Than Rap: 50 Cent Pledges Diddy Documentary Profits To Rape Victims, Drags Rick Ross’ Molly Lyric
50 Cent continues to take aim at his rap rivals, but he’s fueling the feuds for a good cause after new accusations of Diddy drugging and gang-raping women echoed a controversial Rick Ross lyric.
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Although the Raising Kanan executive producer is a master of trolling, he wasn’t just poking fun at Diddy’s difficulties. While many comments wondered about a documentary similar to Surviving R. Kelly amid Cassie’s (Casandra Ventura) bombshell lawsuit last month, Curtis “50 Cent” Jackson was apparently putting in the work. TMZ reports that 50 Cent is developing a documentary about the allegations against the Bad Boy mogul.
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If you’ve missed any of the recent news about alleged victims coming forward about Diddy, you don’t need to look any further than 50 Cent’s Instagram to catch up. The Get Rich Or Die Tryin’ star kept tabs on the headlines with plenty of his own commentary. The Devil works hard, but 50 works harder.
Following Jane Doe’s new lawsuit against Diddy alleging gang rape and sex trafficking, 50 claimed his “documentary is gonna blow you away.” With a title like “Diddy Do It, or Not” many assumed it was another joke at his enemy’s expense. However, the posts took a surprisingly serious tone from 50.
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See 50 Cent’s announcements about the documentary with new accusations of Diddy drugging women like the Rick Ross line after the flip.
50 Cent Confirms Diddy Documentary With New Allegations That He Drugged Women And Compares It To Rick Ross’ Infamous “Molly” Lyric
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50 doubled down in a follow-up post, confirming that he’s serious about the upcoming project. He shared a video of former Bad Boy artist Mark Curry. He revealed how Diddy allegedly drugged women at his parties. 50 captioned it with an announcement pledging support to survivors. “G-Unit Film & Television proceeds from this Documentary will go to victims of Sexual Assault and Rape!” he wrote.
In an interview with Art of Dialogue, Curry claimed he received warnings not to drink from spiked alcohol prepared “to make the girls real slippery.”
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“When we go in the club, we used to have these bottles, right? These bottles would be regular Moet bottles. On them bottles right there,” Curry said, gesturing to a separate area, “they’d have something right there to make the girls real slippery and all of this kind of stuff. So when you get up, they’d be like, ‘Don’t touch them bottles right there!”
50 cut-in clips of Rick Ross partying with Diddy as “U.O.E.N.O.” played with the lyrics “put Molly all in her champagne, she ain’t even know it/ I took her home and enjoyed that, she ain’t even know it.”
“So we already knew what the drill was. You don’t mess with them bottles, right?” Curry continued. “Then all the girls was in the club after a while. They all opening their mouths like little birds. He’s running around popping pills in their mouth, and that was the party.”
Many comments wondered if the video was a warning of Hip-Hop’s #MeToo reckoning coming for Rick Ross next or a convenient way to take down two of 50’s industry enemies at once. When the song first dropped in 2013, Rozay lost a Reebok endorsement deal from the backlash. Ross apologized for the lyric and announced that he doesn’t “condone rape.”
The video ended with a credit “From executive producer Curtis ’50 Cent’ Jackson” and his production company’s logo. A representative for G-Unit Film and Television confirmed to TMZ that 50 Cent has this project in the works. 50 reposted a headline about the film announcement with Rick Ross’ “Molly” lyric and another picture of the Miami Rapper with Diddy. “WTF at some point you gotta just do the right thing,” he captioned the post.
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What seemingly started as jokes sounds more and more like a serious commitment 50 Cent. His offer to support survivors of sexual assault is no laughing matter.
Diddy has denied all recent allegations against him. While he battles the claims against him legally, 50 Cent continues applying pressure in the court of public opinion.
